The Halloween Tree, by Steve Carr Clark

The Halloween Tree

by Steve Carr Clark

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Sven B. Schreiber (sbs) This album should be listened to in a single run, without longer interruption (toilet breaks allowed), because it's obviously designed as a soundtrack for an imaginary movie. Therefore, some tracks aren't of the melodic kind, but consist of sound collages instead. However, most of them are, so even though "The Halloween Tree" is not a typical Steve Clark album, fans of his song-oriented works will have a good time, too. Favorite track: Whistling Up Gargoyles.

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Full Digital Discography

15

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Get all 15 Steve Carr Clark releases available on Bandcamp and save 30%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Songs in Truncated Prisms, Across Emerald Stepping Stones, One Day, More Things Stated, The Mirrors, The State of Things, To Market, The Seven Valleys, and 7 more. , and , .

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1.	Boys 02:10	info	buy track
2.	At Pipkin's Door 00:32	info	buy track
3.	Trick or Treat 01:38	info	buy track
4.	The Ravine 00:59	info	buy track
5.	To the House 02:19	info	buy track
6.	The Tree 02:51	info	buy track
7.	Pipkin Lost 02:25	info	buy track
8.	The Kite 02:12	info	buy track
9.	Flight to Egypt 01:36	info	buy track
10.	A Scythe for Your Sins/Romans 04:00	info	buy track
11.	Shields and the Star 01:21	info	buy track
12.	The Gathering of Brooms 02:15	info	buy track
13.	Cathedrals of Stone 02:00	info	buy track
14.	Whistling Up Gargoyles 02:03	info	buy track
15.	Sugar Skulls 03:37	info	buy track
16.	Catacombs and One Year Each 02:26	info	buy track
17.	Back to the House 01:20	info	buy track
18.	Pipkin Alive 00:49	info	buy track
19.	Pumkin Lights Out and a Thousand Dark Leaves 02:23	info	buy track
20.	Embered Smiles and Sleep 04:40	info	buy track

about

Music based on Ray Bradbury's novel 'The Halloween Tree.' A small group of boys move from one age to the next, searching for their friend Pipkin and observing the customs, symbols and rituals of Halloween. The sixth album released by Steve Clark.

credits

released September 11, 2013

All songs composed and arranged by Steve Carr Clark.

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about

Steve Carr Clark Australia

Steve Carr Clark is a versatile artist whose talents encompass music, art and theatre. His musical styles include Art Rock, Progressive and Instrumental,with a strong emphasis on atmosphere and story telling.
Steve has released 15 albums and over 70 film clips. His latest album ‘More Things Stated' once again showcases his talents as a lyricist and songwriter. ... more

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by Mindspeak

supported by 4 fans who also own “The Halloween Tree”

With its debut album, this young band from Vienna follows the footsteps of honorable Austrian prog masters like "Matter Of Taste". The music on this concept album is not of the kind I'd call particularly innovative - it travels pretty much on well known roads paved by many others long ago. However, these youngsters do it in a highly pleasant way, skillfully avoiding the pitfalls of pseudo-progressive phrase rehashing most of the time - certainly more successfully so than several of their experienced grand paragons of prog. Sven B. Schreiber (sbs)
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Archive Vol.1
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supported by 4 fans who also own “The Halloween Tree”

Joyous and exploratory. It's what makes Sanguine Hum tick. Or hum. Quite. Peter Jones
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supported by 4 fans who also own “The Halloween Tree”
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5th Season
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A spirited, modern imagining of classic ’70s prog; Pink Floyd vocalist Durga McBroom and Finnish prog icon Jukka Gustavson guest. Bandcamp New & Notable May 10, 2023
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Look What You Made Me Do
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supported by 4 fans who also own “The Halloween Tree”

The "RPM Challenge" is something like FAWM (February Album Writing Month): Given a very tight time interval, write and record a considerable amount of new original music. Typically, you're busy almost each day producing songs. Hats off to everyone who accepts such a challenge and succeeds! This RPM album is an excellent result, quite spontaneous on the one hand, quite elaborate on the other hand. Granted, the shorter tracks below one minute sound like sketches of songs and certainly would have been expanded with more time available. The remaining recordings, however, sound remarkably fleshed out, and don't leave any impression of having been created in a hurry. Sven B. Schreiber (sbs)
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